Davis is, to these ears, once again on trumpet. Hypnotisierungsmusik erschien ursprünglich auf Compact Cassette in Kleinstauflage im Eigenverlag. Found inside... on Jones Street and West 13th and East 12th and practically wore out his album Sketches of Spain. ... or, as it was put more elegantly by Lewis in the liner notes, speaking of his composition “Cortege”: “This is my Venice. (K. Weill-I. Rated #4 in the best albums of 1960, and #777 of all-time album.. (M. Davis-G. Evans), Record One – Side B: Gershwin-G. Gershwin) In Person Saturday Night At The Blackhawk, - 1961 1961 C2K 87100 Remastering: Phil Schaap True he created the arrangements with Davis in mind, transposing the guitar leads of Rodrigo's composition for Davis' trumpet, but it was his creative spark responsible for this album's existence. – liner notes Mosaic Records: Miles Davis/Gil Evans Complete Columbia (11 LPs), Miles Davis (flg, tp) Gil Evans (arr, cond), Ernie Royal, Bernie Glow, Louis Mucci, Taft Jordan (tp), Dick Hixon, Frank Rehak (tb), Jimmy Buffington, John Barrows, Earl Chapin (Fr h), Jimmy McAllister (tu), Al Block, Eddie Caine (fl), Romeo Penque (oboe), Harold Feldman (cl, oboe), Danny Bank (b cl), Jack Knitzer (bassoon), Janet Putnam (harp), Paul Chambers (b), Jimmy Cobb (d), Elvin Jones (perc), probably Jose Manguel (perc). 170020 - Art Blakey and The Jazz messengers - Moanin' 170021 - Billie . Found inside – Page 198... sessions for Public Image Ltd.'s Album, according to Public Image's John Lydon in the liner notes of their Plastic Box, box set. ... the album would frequently be described as the modern counterpart of Sketches of Spain and won ... 5. It is this premiere recording originally issued by Columbia on three 78s in Spain in the late 1940s that has been re-mastered for the present CD. Regino Sainz de la Maza plays the guitar with the Orchestra Nacional de España, conducted by ... Found inside – Page 228Liner notes forJohn Coltrane Quartet, The Complete Africa/Brass Sessions. Impulse! IMPD-2–168, 1995. Williams, Martin. Liner notes for Ornette Coleman, The Shape of Jazz to Come. Atlantic 1317, 1959. ———. ... Sketches of Spain. 4. 2. Danny Bank (fl, alto fl), Romeo Penque (Eng h), prob. (Gil Evans) Free delivery for many products! Special thanks to Stephan Lazslo and the staff at the tape library, Risa Kantor and the staff at Sony Music Studios, Peter Smith and Ahmad Jamal. Included on disc one is a PDF file which includes photos from the recording sessions, production notes taken during the sessions by Macero, and newspaper articles written about the album. 3. Gershwin) The liner notes list Davis as author of all compositions, but many scholars and fans believe that Bill Evans wrote part or the whole of "Blue in Green" and "Flamenco Sketches". In his stints with Thornhill (1941-’42 and 1946-’48), Evans became the most venturesome writer for one of the most unorthodox bands of the swing era: an ensemble that featured a subdued, vibrato-less blend of French horns, tuba, clarinets, and flutes. Gershwin-G. Gershwin) 5. Devil May Care 3:27 (R) Conceived, Designed, And Manufactured For Collectors And Enthusiasts. Why? (K. Weill-I. Elliott) At least, I think that it is an alternate. That wasn't in your liner notes. View All Available Formats & Editions. When Miles Davis entered Columbia Records' New York studio in November 1959 with composer/arranger Gil Evans and producer Teo Macero to record the material for the album Sketches of Spain, the trumpeter was not on completely unfamiliar territory. Recording engineer: Frank Laico As long as you're getting into jazz id also recommend Art Blakey (though not much at all like Sketches of Spain). Listen to the Joseph’s coat of colors behind Miles.”, An old Andalusian song, “Saeta” (“arrow”), gave Davis the opportunity for one of the singular performances of his career. Bess, You Is My Woman Now (rehearsal take) 4:58 (G) 1. Produced by Teo Macero 6. (Gil Evans) Gershwin-G. Gershwin) Found inside – Page 906... Poray and Bess, Sketches of Spain), he had a talent for a transfixing musical logic and a scalding melancholy. ... In the liner notes of Porgy and Bess, Davis noted a movement in jazz away from harmonic complexity toward simpler ...
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